Pikes Peak Center for the Performing Arts Colorado Springs
Coordinates: 38°49′51″N 104°49′36″W / 38.830966°N 104.82664°W / 38.830966; -104.82664
 Exterior view of venue (c.2020) | |
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| Address | 190 Southward Cascade Ave Colorado Springs, CO 80903-2211 |
|---|---|
| Owner | El Paso County |
| Operator | CSWA |
| Capacity | ane,989 |
| Opened | October 15, 1982 (1982-ten-15) |
| Website | |
| Venue Website | |
The Pikes Peak Center for the Performing Arts (known usually as Pikes Height Center) is a concert auditorium in Colorado Springs, Colorado. It serves as an entertainment, cultural, educational, and assembly eye for the citizens of El Paso County, the Pikes Peak region, and the surrounding area.
History [edit]
Built past the citizens of El Paso Canton in 1982 to serve as a regional entertainment and cultural centre, the Pikes Height Centre'due south downtown Colorado Springs location was a slice of the economic rejuvenation activeness plan for the innercity business organization quarter.
It opened October fifteen, 1982[1] with the Colorado Springs Symphony Orchestra, at present known as the Colorado Springs Philharmonic Orchestra. The Pikes Height Center has since achieved international approval for its blueprint and acoustical attributes, and artists and critics take spoken highly in their compliments of the Eye. More than 200 concerts are hosted by The Center each yr. The proprietor of the Center is El Paso County, and it is operated alongside the Broadmoor Earth Arena.
Seating [edit]
The concert hall features seating throughout the orchestra, loge, mezzanine and balcony sections. In that location are side box seats at the mezzanine and balcony levels, seat towers can exist positioned on stage, and additional seats can exist placed on the lift. At maximum, there are 1,171 seats on the master floor (Orchestra & Loge), 290 seats on the mezzanine level, and 528 seats on the balcony level.
Acoustics [edit]
Cosmos Serenade artwork, added in 2009
The Pikes Pinnacle Heart's El Pomar Slap-up Hall was designed by Russell Johnson's firm, Artec Consultants Inc, a theatre consulting and acoustics firm (also responsible for the Morton H. Meyerson Symphony Center's Eugene McDermott Concert Hall), and has several different acoustic control features. In addition to on-phase curtains, there are retractable banners along the side walls of the hall that tin can be lowered to blot sound and curtains on the rear wall of each seating level. The banners are lowered for events utilizing the sound system, and retracted for symphonic and choral events. The loudspeaker bridge above the proscenium tin can be gear up at one level for events using the sound system and exist retracted when its utilize is not required. The acoustic canopy to a higher place the Orchestra platform can be lifted from a position where it tin be maintained from the floor to a position immediately below the room's ceiling. The canopy is positioned to reflect sound to the Orchestra and Loge seats when a smaller audience is anticipated, or raised for full sound dispersion when a large audience is anticipated. The on stage sound reflecting towers containing audience seating are positioned around the stage for symphony and choral performances. The seating towers and the stair towers for audience access/egress are moved on airbearings. The upper office of the stage house is separated from the performance space during symphony and choral performances by four ceiling panels over the stage that tin can be raised, lowered, or tilted vertically to alter the acoustics of the hall.
Equipment loading and transport [edit]
Adjacent to stage left are the loading docks which can accept two tractor-trailers simultaneously. Loading is done through ii detached 12-foot-broad 10-pes-high (3.7 m × 3.0 m) overhead doors. Cargo then turns ninety degrees to the correct to go to the phase. An eight-foot-wide, 8-pes-high, 12-foot-deep (two.iv m × two.4 m × 3.7 m) freight elevator is positioned in the delivery area. The lift provides access to the basement levels for transportation of equipment into the orchestra pit expanse and the choir dressing rooms.
Stage [edit]
The proscenium has a maximum opening of 81 by 40 anxiety (25 yard × 12 k), but can exist reduced to 34 by 16 feet (10 m × 5 m) with blackness velour masking. At that place is a half-dozen-foot-deep (1.eight thousand) apron. And the working depth of the phase is 52 anxiety (16 g) from the plaster line. The stage is 116 feet (35 m) wide. The floor of the phase is maple over plywood, over ii layers of sleepers, over neoprene blocks. The flooring has wonderful resiliency for ballet and other trip the light fantastic mediums. Any kind of nailing or screwing into the flooring is forbidden. The frontmost office of the stage consists of ii screw jack lifts that can be raised to the level of the stage, bundled equally a function of a 2-tier stage setup, positioned at audition floor level, or lowered to create an orchestra pit. These orchestra pit/fore-phase lifts tin besides be lowered to the basement where audience seating can exist positioned on the lifts. The audition seating is located on seating wagons, two of which travel on fixed rubber tire wheels from their storage level onto one of the lifts. The other four seating wagons travel on air bearings which float the wagons similar a hovercraft onto downstage most orchestra pit/fore-stage lift. Orchestra player chairs and stands tin also be transported to stage level via these lifts. The stage's maximum load is 160 pounds per square foot (780 kg/grand2).
Dressing rooms [edit]
Directly behind the stage are six individual dressing rooms, each with its own make upward station, toilet, sink and shower. The basement level contains two choir dressing rooms. Dressing room "A", with 2,000 square anxiety (190 m2), is equipped with 24 makeup stations, and dressing room "B", with 1,800 square feet (170 mtwo), is equipped with 31 makeup stations. Both rooms incorporate showers, sinks, and toilets. The greenroom is located between the choir dressing rooms and the northern staircase, and is 490 square feet (46 yardii).
References [edit]
- ^ "Colorado Springs Playbills and Programs, 1881-present". Tutt Library. Colorado College. Dec 2019. Retrieved June 1, 2020.
Pikes Meridian Center. Gala Opening Concerts Presented past Citizens for Theatre/Auditorium. Colorado Springs Symphony Orchestra, Charles A. Ansbacher, Conductor. Colorado Springs Chorale, Donald P. Jenkins, Director. Soloists: Roberta Peters, Soprano and Michaela Paetsch, Violinist. Program contains information about the performers and lists Benefactors. October xv and 16, 1982. 2 copies.
Source: https://en.wikipedia.org/wiki/Pikes_Peak_Center_for_the_Performing_Arts
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